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The pleasures of love recollected and the possibilities of love anticipated are contemplated in “A Little Night Music,” the musical by Stephen Sondheim and Hugh Wheeler currently in revival on Broadway at the Walter Kerr Theater. The satisfactions of love in the present? That’s a more complicated matter in this melancholy romantic comedy.
But for theater lovers there can be no greater current pleasure than to witness Bernadette Peters perform the show’s signature number, “Send In the Clowns,” with an emotional transparency and musical delicacy that turns this celebrated song into an occasion of transporting artistry. I’m not sure I’ve ever experienced with such palpable force — or such prominent goose bumps — the sense of being present at an indelible moment in the history of musical theater.

Ms. Peters’s undertaking of the role of Desirée Armfeldt, a barnstorming actress in turn-of-the-last-century Sweden with a complicated home life, has been hotly anticipated since it was announced that she would take over from Catherine Zeta-Jones in Trevor Nunn’s production of the 1973 musical. Almost equally mouthwatering was the prospect of Elaine Stritch grabbing the baton from Angela Lansbury as Madame 传世私服 Armfeldt, Desirée’s imperious mother. Both actresses have storied histories with the work of Mr. Sondheim, the long-reigning master of the contemporary musical.

One of the most accomplished musical-theater performers of her generation, Ms. Peters created important roles in two of his shows — “Sunday in the Park With George” and “Into the Woods” — and her previous appearance on Broadway came in the 2004 revival of “Gypsy,” the beloved 1959 musical for which the young Mr. Sondheim provided the lyrics. Hence the breathless hush that descends on the theater as the first strains of “Send In the Clowns” are heard late in the second act. For musical theater aficionados the moment comes freighted with anxiety, hope, suspense — more or less the same emotions, as it happens, that torment the men and women trying to sort out their unsatisfactory love lives in the show.

Desirée has just come to realize that the dreams of reuniting with her now-married former lover Fredrik Egerman (Alexander Hanson) were the comforting delusions of a sultry summer night. Alone with Fredrik at last, she drops the role of the worldly seductress and carefree flirt that she assumed in order to play Fredrik’s renewed infatuation against her young lover’s obsessive devotion. The heart she has kept under wraps for too long speaks forth the unhappy truth: The love they shared in their youth and brushed aside so cavalierly cannot be recaptured without painful cost in middle age. Closer than ever before, they are also infinitely farther apart.

The halting phrases of the song suggest the overwhelming emotion Desirée is just keeping in check. Ms. Peters invests each brittle line with a full measure of feeling without losing the arc of the music or any of the delicate irony in the lyrics. Despite her sadness Desirée is too generous and too sophisticated to make a melodrama even of her own heartbreak. And yet while Ms. Peters’s Desirée erases her tears with flashing smiles, the inner devastation comes through with moving clarity. Ms. Peters transmits with equal force the sense of Desirée growing into new wisdom about what matters in love — and in life — at long last, and much too late.

The nuanced truth Ms. Peters brings to this scene is not, unfortunately, the overall hallmark of this production, originally seen at the Menier Chocolate Factory in London. For long stretches Mr. Nunn’s staging, on a minimal set by David Farley that suggests a hallway in a dreary summer hotel, seems to be waltzing in cement shoes. The coarser elements in Mr. Wheeler’s book are underscored with an off-putting snigger, as if this romantic roundelay were little more than a galumphing sex farce.

A second viewing increased my admiration for Mr. Hanson’s natural grace and easygoing humor in the central male role of Fredrik. But it only mildly tempered my disappointment in Ramona Mallory’s simpering as Fredrik’s young wife, Anne, and Leigh Ann Larkin’s often overbearing, leering Petra. (Ms. Larkin does sing “The Miller’s Son” impeccably.)

Still more disappointing is that Ms. Peters, gorgeous though her “Send In the Clowns” certainly is, does not always inflect her performance with glinting suggestions of the real depths in Desirée’s heart. The odd, quasi-British accent — fundamentally pointless since the characters are supposedly Swedish — adds a layer of artifice to the performance that is only entirely discarded when Ms. Peters sings. (Ms. Mallory also employs an accent, to still more arch effect.)
No mannered accent mars Ms. Stritch’s bone-dry turn as Desirée’s elderly but by no means retiring mother, whose boudoir career in a happier heyday for romance she recounts with relish in the song “Liaisons.”
Ms. Stritch is not, to be sure, a Madame Armfeldt in the traditional, elegantly acerbic mold, as the wonderful Ms. Lansbury essentially was. She is less interested in perfuming the stage with Old World charm than in communicating the hard, inescapable life truths that have lodged in the old dame’s heart.

As might be expected from a performer of her finely calibrated comic instincts, Ms. Stritch brings to virtually every one of Madame Armfeldt’s lines a sharp, at times excoriating wit. Nobody can outdo Ms. Stritch in the deployment of strategic pauses that attach powder kegs to seemingly sparkless lines. Explosions of laughter duly greet this plain-spoken dowager’s rueful observations about the decaying graces of the world. (She lands a solid laugh just by altering her pronunciation of the word “liaisons.”)

But the cool ferocity of Ms. Stritch’s Madame Armfeldt often shades into something approaching existential fear. As she sings “Liaisons,” her hands clutch out at the recollected joys of the past as if they are shimmering visions she sees receding before her. And when Madame Armfeldt makes a macabre toast to death, there is the sense that she truly sees the shadows gathering around her despite the bright nights of the Swedish summer. (But I wish Ms. Stritch hadn’t spoiled the chill with a wicked grin as Madame Armfeldt is wheeled away.)

Almost as heart-rending as Ms. Peters’s “Send In the Clowns” is Ms. Stritch’s delivery of one of Madame Armfeldt’s last speeches, in which she observes with a sense of resigned despair that the Croatian count she spurned in her youth may well have been the great love of her life. This sad knowledge is the seed of her impatience with Desirée’s unsatisfactory romantic career, which Ms. Stritch underscores in withering tones. How painful for a mother to have watched her beloved daughter make the same mistakes she once made, opening the door to true fulfillment only to find that, as 传世 Desirée sings, “no one is there.”

Women’s precarious rights in Afghanistan have begun seeping away. Girls’ schools are closing; working women are threatened; advocates are attacked; and terrified families are increasingly confining their daughters to home.
For women, instability, as much as the Taliban themselves, is the enemy. Women are casualties of the fighting, not only in the already conservative and embattled Pashtun south and east, but also in districts in the north and center of the country where other armed groups have sprung up.

As Afghan and Western governments explore reconciliation with the Taliban, women fear that the peace they long for may come at the price of rights that have improved since the Taliban government was overthrown in 2001.

“Women do not want war, but none of them want the Taliban of 1996 again; 传奇世界 no one wants to be imprisoned in the yards of their houses,” said Rahima Zarifi, the Women’s Ministry representative from the northern Baghlan Province.

Interviews around the country with at least two dozen female members of Parliament, government officials, activists, teachers and young girls suggest a nuanced reality — fighting constricts women’s freedoms nearly as much as a Taliban government, and conservative traditions already limit women’s rights in many places.

Women, however, express a range of fears about a Taliban return, from political to domestic — that they will be shut out of negotiations about any deals with the insurgents and that the Taliban’s return would drive up bride prices, making it more profitable for a family to force girls into marriage earlier.

For many women, the prospect of a resurgence of the Taliban or other conservative groups is stark. “It will ruin our life,” said Shougoufa, 40, as she sorted through sequins and gold sparkles at the bazaar in the city of Pul-i-Khumri in Afghanistan’s north.

“I am a tailor and I need to come to the bazaar to buy these things,” she said. “But if the Taliban come, I will not be able to come. Already we are hearing some girls cannot go to their work anymore.”

In teachers’ tea-break rooms, beauty shop training sessions, bazaars and the privacy of their homes, young women worry that their parents will marry them off early, so they will not be forced to marry Taliban.

In the Pashtun-dominated district of Taghob, east of Kabul, girls’ schools have been closed and any teaching is done at home, the provincial education director said.

That does not trouble some local officials.

“Look, our main priority is to feed our people, to provide rest and to protect their lives,” said Haji Farid, a local member of Parliament. “Why are people focusing on education and sending girls to school? Boys walk three, four, five kilometers to their school. How can a girl walk two, three, four kilometers? During a war you cannot send a girl beyond her door. No one can guarantee her honor. So it is hard to send your daughter to school.”

In Kandahar, Helmand and Zabul, all unstable southern provinces, there are girls’ schools open in the provincial capitals, but in outlying districts there are few, if any. In Zabul Province, there are just six schools for girls, four in the capital and two outside, but few families send their girls to school because of the fighting, said Muhammad Alam, the acting head of the provincial education department.

In Baghlan Province, in northern Afghanistan, the situation for women has steadily worsened over the past year. Ms. Zarifi, the Women’s Ministry representative, has endured assassination attempts and demonstrations against her work. Three months ago, a female member of the provincial council was paralyzed in an attack, and a woman was stabbed to death in the daytime in the middle of the provincial capital earlier in July.

By contrast, most of Kapisa Province, which lies northeast of Kabul, is peaceful. There is a mediation program in the capital to help women and girls when they face domestic violence. In the predominantly ethnically Tajik north there are large, lively schools for girls, where families even allow those who are married to complete high school.

Women’s advocates are concerned that they are increasingly being shut out of political decisions. At an international conference in Kabul on July 20, which was meant to showcase the country’s plans for the future, President Hamid Karzai said nothing about how women’s rights might be protected in negotiations.
The very first meeting on negotiations, held by Mr. Karzai on July 22 with former leaders who had fought the Taliban, did not include a single woman, despite government pledges. When asked, government officials said that women would be included in later sessions.
Although Secretary of State Hillary Rodham Clinton has also pledged that she will not desert Afghan women and that any deal with the Taliban that traded peace for women’s rights was “a red line,” women remain wary.

“Right now it’s a big challenge for women to go to school and work, but at least according to our Constitution and laws they have the right to do so,” said Nargis Nehan, 31, an Afghan women’s advocate.

“If the Taliban come back, by law women will be restricted and not allowed 传世 to leave their homes,” she said, adding, “Maybe not everywhere, but in those districts where they are in power.”

There is also the real possibility that a deal with the Taliban could stoke the anger of non-Pashtuns who once fought and still fear them, raising the prospect of renewed fighting.

Afghanistan’s women have long led exceptionally constrained lives. The combination of a male-dominated tribal culture in which women have been often treated as little more than chattel, combined with a conservative practice of Islam and a nationwide lack of education, meant that long before the Taliban arrived in the mid-1990s, women had few opportunities beyond the home.

The mujahedeen leaders who forced out the Soviets in the late 1980s were as conservative as the Taliban in many places, keeping women at home in order to preserve family honor instead of educating them or integrating them into the government.

“Families want to send their daughters to school, but it is hard for them to decide to do so because of the fighting and insecurity,” said Mr. Alam, the head of provincial education in Zabul Province.

The families of women who work in offices are threatened, said Rahima Jana, who heads the province’s Department of Women’s Affairs. And the group Human Rights Watch documented instances of night letters meant to scare women into staying at home.

“Security is a big challenge, and we cannot work when there is bad security,” Ms. Jana said. “Last year was much better than this year.”

In Mahmud-e Raqi, 12 teenage girls sat around a small trunk filled with beauticians’ tools — combs, boxes of hair dye, scissors, nail polish, hair spray — and watched closely as the instructor sat one of the girls in a desk chair and demonstrated how to cut off split ends evenly.

In most places in the world this scene would hardly be a sign of women’s liberation, but in this corner of Afghanistan, it meant a great deal. The girls, ages 15 to 17, had been allowed to come from their villages to the provincial capital; they will take home a trunk of beauty goods and can earn their own money in their homes by offering beauty services to women in their village.

This chance at determining a little of their future is what they fear will be threatened if the Taliban return through a negotiated peace settlement.

“They will beat us and forbid us from this freedom, the freedom to come here, to this class; they will stop us from doing things,” said Biboli, 16, a girl with long brown hair barely covered by a thin white veil.

The greatest fear is that no one is really listening, said Habiba Shamim, one of the instructors.

“Please,” she pleaded. “Carry our words to people.”

In 1995, Gela Nash-Taylor (wife of Duran Duran's John Taylor) and Pamela Skaist-Levy, both residing in Pacoima,California, decided to create their own fashion label,Travis Jeans, selling maternity pants.In 1996 the girls changed the name to Juicy Couture,the aim was to create girly apparel and a label equal to that of other major labels,but to be more affordable to the general public (although this is no longer the case, as most of their apparel is priced at more than $100 USD). Their line, which they called "Juicy Couture," was to include a variety of athletic and casual wear,most notably the velour tracksuit that won Juicy Couture a great deal of popularity. Taylor and Levy did not have much money with which to start their label, thus leading to a slow start-up of the company.In 1996, after establishing their company and needing to get the brand in the public eye,the women sent their completed designs to celebrities.Madonna,credited with turning the velour tracksuit into a trend, was sent a track suit with "Madge" embroidered on it (Juicy Couture rarely uses "Madge" on their clothing anymore). Madonna was seen wearing the tracksuit,and the company became a success almost instantly. Juicy Couture was a very limited brand, being available at very few locations such as Neiman Marcus; Around 2004, the velour tracksuit once again became very popular and Juicy Couture and Ed hardy bags then became a worldwide known brand.

In 2006, Taylor and Levy introduced a new line called 'Couture Couture' consisting of 20 pieces and higher prices. This line reflects the new lifestyles of the two fashion designers, only carried in high ended stores.The first collection of loungewear and sleepwear by Choosing by Juicy Couture.Intimate Apparel was introduced in 2008.

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Juicy Couture is a contemporary line of both casual and dressy apparel based in Arleta,Los Angeles,California founded by Pamela Skaist-Levy and Gela Nash-Tayloy. Now owned by the Liz Claiborne fashion company,Juicy Couture is known for their signature velour tracksuits as well as other clothing and accessories. Juicy Couture is marketed as a high-end clothing line at an affordable price,and is aimed at women ages from 1026.Juicy Couture also has a line of men's clothing and accessories. Since Spring 2009 (southern hemisphere), Juicy Couture has discontinued its Men's Line "Dirty English".Juicy Couture also has clothes and accessories for children,babies and pets.

The founders of Juicy Couture (Pamela Skaist-Levy and Gela Nash-Taylor) have slowly introduced new merchandise to their lineup. In 1999, they introduced jeans to their product line called Juicy Jeans. In 2001, they revolutionized the fashion world with the introduction of the tracksuits,the item that the company is most famous for.These tracksuits come in a variety of colors made of velour,terry cloth,fleece or cashmere, and consist of low riding draw string pants and a zip-up hoodie. In 2002, Juicy Couture added collections for men and children.In 2004,bathing suits and accessories for women,including shoes and Juicy couture jewelry,were also added to the Juicy line.Today,Juicys offerings range from perfume,socks, and handbags to toiletries, diaper bags, and dog accessories.

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Have you ever heard about juicy couture before? It is a famous brand all over the world. A lot of people especially women have deep interest in Juicy Couture.

Actually, Juicy Couture is a West Coast fashion company selling its lines of modern casual and sports clothing and accessories. There lines have a perfect touch of class and style. The Juicy name became popular when Hollywood celebrities began wearing their clothes and carrying their bags.

With the popularity of their line came the rush of cheap fakes. So when you go shopping for your first Juicy Handbag be careful and look for the following pitfalls. I will show you the important thing when buy your ideal juicy couture.

First, when purchasing a juicy couture handbags, look for dark not very glossy leather. The leather is softer and thinner cheaper bags are made of thicker rougher leather. Secondly, you should look inside the bag and check to see if the lining is soft cotton. If it has a cheap synthetic lining that is not smooth and flexible, it is probably a fake.

Next, take a look at the stitching on the bag see if it has been done cleanly and with an even stitch. If the bag looks like it has been rushed through the machines it probably is a fake.

Remember a high quality bag takes fine quality materials and workmanship and cannot be sold cheaply What is more, the other thing I should tell you is how to keep your juicy couture bags correctly. It is really important to keep your bag. There are several aspects you should know.

First, put a hand sanitizer in your purse. It is a simple step but will prevent a lot of dirt and grime from getting on your purse. Make sure you keep the hand sanitizer in an easily Juicy couture jewelry location.

Brush your purse every so often. If your purse is made of suede or velour, use a soft bristle brush or a specialized purse brush on it. This will help prevent stains from setting. Often times stains will brush right out of these fabrics.

Clean out the stains as you see them. Make sure that you get a stain out of your purse as soon as you see it, which will prevent stains from setting and permanently ruining your purse. Purchase a cloth cleanser at your local purse boutique and use it periodically to clean your purse.

Use a leather balm on leather purses. If your purse is made of leather its important to keep the leather conditioned. Conditioning your purses leather will make your purse last longer and it will keep it looking brand new. If this step is neglected, the leather may dry out over time.

Pay just as close attention to the inside of the purse as you do the outside. Many individuals tend to focus on how the outside of their purse looks while they neglect the inside of their purse. Oftentimes, this will leave a purse looking clean on the outside and grimy on the inside.Choosing crystal jewelry as well as keeping juicy couture bags is both important steps. You can search more information that introduces this brand bags.

With summers coming,are you now searching for sunglasses of particular styles and designs that make you stand out in the street?? Or in the meantime, you are worried about the fact that these sun wear can well matched to your clothes and prevent ultraviolet radiation.Well. That means you need some one can fight for the Juicy Couture with fashion and useful elements.

They are possible to make the pupil of your eyes dilate, instead lenses of eyes would absorb more UV. Therefore, sunglasses are not dispensable accessories. For the eye health, it is a must to choose the best sunglasses for you and your love. Then comes to the question how to choose the best sunglasses and juicy couture handbags. The following is to help to give your the answer.

What are the tips for choosing the color of sunglasses?

The first and foremost tip is to notice whether there are UV-stop labels. Well qualified sunglasses would be labelled with 100% UV-stop, UV400 or UV cut. Sunglasses of poor quality are more likely to bring harm to eyes. Next, gray, brown and green color lenses are more recommended, for those lenses have a comparatively better ability to absorb infrared ray and ultraviolet radiation. Into the bargain, gray lenses could present the wearers a vision of little chromatic aberration with Juicy couture jewelry; brown lenses are able to filter much blue-ray, which could improve the contrast and sharpness of the vision. They perform especially well in foggy days or in environment where the air is severely polluted.

Is it a must to wear sunglasses when one goes out in a sunny day?

It is necessary to wear sunglasses and crystal jewelry when the sunlight or the reflection is too strong, or it is not necessary. It depends on the strength of the sunlight or reflection outside, but not on the seasons. Something else needing attention is that sunglasses is a must when one goes to an area most of which is covered by snow or water.

For the above tips, juicy couture sunglasses will be right for you. They are quite modern and eye-protecting. Coupled with high quality and competitive price, it has become very popular in the market.You should come to choose your own style and have a cool summer holiday.